difference between a sync clip and multicam

Create a sync point for each clip, unless you are syncing using timecode or audio.You can edit at least 3X the number of clips using proxies than camera native media. If performance is an issue, transcode the clips into proxies. NOTE: The speed of your storage will determine how many clips you can edit at once. Syncing on audio requires all clips have the same audio recorded on them, which rules out using this technique to sync still images. If you use markers, all markers used to indicate a sync point must have the same name, though they need not be the first marker in the clip. If you use clapper slates, it is easiest to mark the clap with an In.

Syncing on audio is the slowest, timecode is the easiest and my preference is using clapper slates and Ins, because I never have the gear on set to send matching timecode to all cameras. Of these, matching frame rate is the most important.īefore creating the multicam sequence, all elements need to have a sync point. While you can mix and match codecs, frame size, frame rate and scanning, you will get the best performance if all these match. Use multicam editing to edit your video, then, in a second pass, work on your mix.Ī single multicam sequence can contain video, audio, and/or stills. NOTE: Multicam editing is NOT the same as audio mixing. (I call them “multicam sequences,” because the term is shorter.) Premiere Pro calls these “multi-camera sequences,” because this is a special sequence that contains more than one clip. A single sequence can contain video, audio, and/or stills. This “cookbook” is designed to provide a checklist to quickly create, view and edit multicam sequences in Adobe Premiere Pro CC.Ĭreating a multicam sequence is simple if you follow these instructions.

Difference between a sync clip and multicam